Tag Archive: C2E2


Ewing Comics are for EveryoneA veteran of the British comics scene, Al Ewing has kind of conquered America over the last few years. With series like Iron Man: Fatal Frontier, Mighty Avengers, and Loki: Agent of Asgard, Ewing has made his mark on Marvel and distinguished himself through his humor and thoughtful examinations of complex issues like identity, class, and race. Loki, in particular, struck me immediately, and I knew that I had to talk to this writer if the opportunity presented itself. Thankfully it did at C2E2 this year and Mr. Ewing gave some wonderful insight into his views on storytelling, heroism, and plenty more. Continue reading

All-New Marvel NOW 2Not to be outdone, Marvel had me scrambling out of the Batman panel to secure a spot in Marvel: The Next Big Thing. While the X-Men, Spider-Man, and Batman still rule the roost, Marvel’s made huge strides with some of their less famous characters lately and this was the place to hear about it.

Nick Lowe, our moderator and editor of Spider-Man and Moon Knight, took a moment to thank the Chicago fans before introducing the panelists. The first was Mike Marts, an Executive Editor, newly returned from DC’s Batman office. Lowe asked him what it was like to be back. Marts replied that it felt like slipping on an old shoe. Lowe was not entirely thrilled with the analogy, leading Marts to amend his statement, “A shoe that makes a lot of great movies.” Next up was Joshua Hale Fialkov, the writer of Ultimate FF. After him came Charles Soule, the writer of Thunderbolts, Inhuman, and She-Hulk, the last of which received particular applause. Then came James Robinson, writer of Fantastic Four and All-New Invaders. A trio of artists rounded out the panel; Mahmud Asrar, Wolverine and the X-Men; Ryan Stegman, Wolverine; and Skottie Young, both writer and artist on Rocket Racoon.

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He casually drew this while giving this interview!Tim Seeley has been making waves for a long time with creator owned series like Hack/Slash and Revival but recently he’s begun commuting to Gotham City to write Batman: Eternal and Grayson for DC. A skilled writer and a talented illustrator, Seeley is a prolific creator, drawing covers for numerous companies and penning clever, often unsettling, scripts month after month.

With so many interesting projects and on his plate, I knew it would worth my while to seek out Seeley at C2E2, in his hometown of Chicago. Tim was kind enough to speak to me during his live sketching session, the results of which you can see in this article. Join us to hear about Seeley’s process, his thoughts on death and horror, and comics like Revival/Chew, “The Body”, and Grayson.

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C2E2 Report: DC Comics – Batman

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Saturday was a big day for this year’s C2E2, with a lot of DC and Marvel’s biggest panels taking place. Besides entry in the morning, the longest line I saw all weekend was for this panel. Hundreds of fans filed through the doors of the convention’s largest panel space, and with good reason.

As things got started, John Cunningham, DC’s Marketing VP, introduced us to our panelists: James Tynion IV, former writer of Red Hood and the Outlaws and Talon and an architect of Batman: Eternal; Scott Snyder, writer for Batman, lead writer for Batman: Eternal, and all-around Batman superfan; Jason Fabok and Dustin Nguyen, the two artists for Batman: Eternal; Patrick Gleason and Peter Tomasi, the artist and writer, respectively, on Batman and _____; and Jim Chadwick, an editor with DC’s digital division who works on Batman ‘66, among others.

Cunningham started by reminding us that this year is the 75th anniversary of Batman and promised a slew of celebration, most clearly embodied in a “Batman Day” sometime this July. He also mentioned the two animated shorts commissioned for the anniversary and, as a thank you, revealed that we’d be screening them before the panel began.

Unfortunately there was some technical trouble, kicking off a friendly rivalry between Cunningham and the people running the projector.

Unable to resolve the problem immediately, we turned to the comics. Continue reading

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Justin Jordan once described his breakout series, The Strange Talent of Luther Strode, as being a story “about a geek who thinks he’s becoming a superhero when he’s really becoming a slasher.” Perhaps its fitting that ever since he’s been playing with the conventions of superhero comics, introducing elements of science fiction, dark fantasy, and horror to series like Team 7, Shadowman, and Green Lantern: New Guardians.

Despite a nasty cough, Mr. Jordan made some time to speak to us on the tail end of C2E2 and gave some fascinating insights to a couple of his most notable projects. Enjoy the interview and join me in wishing him a full and speedy recovery. Continue reading

tumblr_n3vk5fLGdD1r0x04do3_1280Some of you may not have heard of Russell Dauterman yet, but that’s likely about to change. Dauterman was the artist on the excellent Supurbia, closed out the last two issues of Kyle Higgins’ Nightwing run with a bang, and is now going to be launching the new Cyclops title for Marvel.

Russell has a unique and beautiful style and such a wonderful love for the material that I knew I had to talk to him and, thankfully, he was gracious enough to give us a bit of his time this past weekend at C2E2. Join me as we discuss character, representation, and working in the industry

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Death-of-Wolverine-1-McNiven-Cover-49c4cThough I didn’t plan it this way, my final panel of C2E2 was Marvel’s Wolverine: 3 Months to Die. And while I regret not being able to see a couple of the later panels, I can’t say that it was a bad note to go out on. Full of interesting questions and big announcements, it was definitely one of the most exciting panels of the weekend. And so with that in mind, I’ve decided to skip ahead and write about it early.

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proxyNot to get ahead of myself, one of the big lessons of C2E2 for me was how much I love it when creators speak honestly. It’s fun to hear announcements, but they’ll be on Bleeding Cool soon enough anyway. No, while all the traditional elements of the con experience you imagine are great, there’s something special about conventions that dismantles the strange, often artificial barriers between creators and fans. I’ll probably talk about this again before my coverage of C2E2 is over, but rarely was this fact more apparent than in Buddy Scalera’s Inside the Creator’s Studio with Mark Waid. Continue reading